{"id":65076,"date":"2025-07-14T14:22:06","date_gmt":"2025-07-14T12:22:06","guid":{"rendered":"https:\/\/www.liselotte-andersen.net\/?page_id=65076"},"modified":"2026-05-19T11:01:33","modified_gmt":"2026-05-19T09:01:33","slug":"tecnica","status":"publish","type":"page","link":"http:\/\/www.liselotte-andersen.net\/it\/technique\/","title":{"rendered":"Tecnica"},"content":{"rendered":"
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La tecnica in 16 passaggi<\/h1>\n<\/div><\/div><\/div><\/div><\/div><\/div>
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Plastico l'originale di ciascuna delle mie creazioni in cera o in terra, a seconda del volume e della scelta di ottenere del bronzo, massiccio, cavo o con un anima in gesso o in terra.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Queste sculture originali mi servono come base per realizzare stampi in gesso e\/o in silicone a seconda dei casi.<\/p>\n

Questi stampi definitivi permettono di effettuare diversi calchi in cera, edizione limitata e numerata di otto esemplari + 4 prove d'artista.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Ognuna delle sue stampe in cera d\u00e0 poi luogo alla realizzazione di un calco \u00abprovvisorio\u00bb refrattario, che accoglier\u00e0 la colata, vale a dire la lega di rame, stagno e zinco, portata a circa 1100\u00b0. Questo calco, eventualmente armato con barre di ferro per rinforzarlo in caso di grandi dimensioni, verr\u00e0 quindi distrutto alla fine del processo per rivelare il risultato della colata.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Il momento pi\u00f9 emozionante: rompere la forma alla fine della colata per vedere apparire il risultato, vedere la scultura in bronzo prendere vita<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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La quarta fase consiste nell'eseguire una o pi\u00f9 delle seguenti finiture:<\/p>\n

\u2013 una fase di saldatura per unire le parti tra loro, se necessario<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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\u2013 la rimozione con il flessibile delle bave di stampaggio e di eventuali difetti di rilievo
\n\u2013 la levigatura in pi\u00f9 passate utilizzando una grana sempre pi\u00f9 fine<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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\u2013 la patina a freddo o a caldo con cannello utilizzando miscele di nitrato di rame e pigmenti<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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\u2013 l'applicazione della cera, che permette di proteggere la patina
\n\u2013 l'eventuale lucidatura per rafforzare la brillantezza della patina
\n\u2013 l'eventuale aggiunta di una base in metallo e le relative finiture.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

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Spazio quindi alle mostre!<\/h4>\n

Lavoro a stretto contatto in particolare con due fonderie d'arte, un ferraiolo per la realizzazione delle mie basi e un saldatore specializzato in saldature speciali.<\/p>\n

Sono partner professionali preziosi e queste collaborazioni rappresentano bellissime esperienze sia tecniche che umane.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

Biografia <\/i><\/a><\/div>
Riconoscimenti \/ Pubblicazioni <\/i><\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"La technique en 16 \u00e9tapes Je fa\u00e7onne l\u2019original de chacune de mes cr\u00e9ations en cire ou en Terre, selon son volume et le choix d\u2019obtenir du bronze, massif, creux ou avec un noyau en pl\u00e2tre ou en terre. Ces sculptures originales me servent de base pour r\u00e9aliser des moules en pl\u00e2tre et ou en silicone…","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-65076","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nTechnique - Liselotte Andersen - Sculptures en bronze<\/title>\n<meta name=\"description\" content=\"Les \u00e9tapes de la r\u00e9alisation de mes sculptures en bronze : du modelage \u00e0 la coul\u00e9e. 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