{"id":65076,"date":"2025-07-14T14:22:06","date_gmt":"2025-07-14T12:22:06","guid":{"rendered":"https:\/\/www.liselotte-andersen.net\/?page_id=65076"},"modified":"2026-02-13T13:18:39","modified_gmt":"2026-02-13T12:18:39","slug":"tecnica","status":"publish","type":"page","link":"http:\/\/www.liselotte-andersen.net\/es\/technique\/","title":{"rendered":"T\u00e9cnico"},"content":{"rendered":"
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La t\u00e9cnica en 16 pasos<\/h1>\n<\/div><\/div><\/div><\/div><\/div><\/div>
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Doy forma al original de cada una de mis creaciones en cera o arcilla, seg\u00fan su volumen y la elecci\u00f3n del bronce, macizo, hueco o con n\u00facleo de yeso o arcilla.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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Utilizo estas esculturas originales como base para hacer moldes en escayola y\/o silicona, seg\u00fan el proyecto.<\/p>\n

Estos moldes definitivos permiten realizar varias impresiones en cera, ediciones limitadas y numeradas de ocho + 4 pruebas de artista.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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A continuaci\u00f3n, cada una de estas impresiones en cera se realiza en un molde refractario \u00abprovisional\u00bb, que albergar\u00e1 la colada, es decir, la aleaci\u00f3n de cobre, esta\u00f1o y zinc, calentada a unos 1100\u00b0. Este molde, que puede estar reforzado con varillas de hierro si se trata de un gran formato, se destruir\u00e1 al final del proceso para revelar el resultado de la fundici\u00f3n.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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El momento m\u00e1s emocionante: romper el molde al final del proceso de fundici\u00f3n para ver el resultado, ver c\u00f3mo la escultura de bronce cobra vida.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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La cuarta fase consiste en realizar todas o algunas de las siguientes operaciones de acabado:<\/p>\n

- una fase de soldadura para unir las piezas si es necesario<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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- la eliminaci\u00f3n de los orificios de ventilaci\u00f3n y de cualquier defecto de relieve mediante una sierra de disco
\n- lijado en varias pasadas utilizando un grano cada vez m\u00e1s fino<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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- patinado con soplete fr\u00edo o caliente con mezclas de nitrato, cobre y pigmentos<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>

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- la aplicaci\u00f3n de cera para proteger la p\u00e1tina
\n- pulido, si es necesario, para realzar el brillo de la p\u00e1tina
\n- la posible adici\u00f3n de una base met\u00e1lica y los acabados correspondientes.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

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Despu\u00e9s, \u00a1a las exposiciones!<\/h4>\n

Trabajo en estrecha colaboraci\u00f3n con dos fundidores de arte, un forjador para hacer mis bases y un soldador especializado en soldaduras especiales.<\/p>\n

Son socios profesionales inestimables, y estas colaboraciones son grandes experiencias t\u00e9cnicas y humanas.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

Biograf\u00eda <\/i><\/a><\/div>
Premios \/ Publicaciones <\/i><\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"La technique en 16 \u00e9tapes Je fa\u00e7onne l\u2019original de chacune de mes cr\u00e9ations en cire ou en Terre, selon son volume et le choix d\u2019obtenir du bronze, massif, creux ou avec un noyau en pl\u00e2tre ou en terre. Ces sculptures originales me servent de base pour r\u00e9aliser des moules en pl\u00e2tre et ou en silicone…","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-65076","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nTechnique - Liselotte Andersen - Sculptures en bronze<\/title>\n<meta name=\"description\" content=\"Les \u00e9tapes de la r\u00e9alisation de mes sculptures en bronze : du modelage \u00e0 la coul\u00e9e. 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